Hydrogen Hitz

What's most curious to me is the way these problems continue to feed on themselves. All the people reacting to the "fakery" of Beatport-b(r)(l)and-techno who have just bought themselves a few old synths towards doing something more "authentic" have already created their own overpopulated genre of Theo/Moodymann/Ron Trent-inspired deep house that is just as boring in its own way as yet another Mike Dehnert release. Where do all of these people come from, and what lies behind their compulsion to make music? The music itself sure doesn't explain anything.

Given the fairly accurate progression of events that Goldmann lays out, one would imagine that there would actually be less music out there as opportunists would be turned off by the low rate of return. But no. The less money there is, the more people are into it! I can't imagine that they are all pure in their motivation.

I think the most important part of what Goldmann wrote about is how it's not only artists who are suffering from the lack of income and the lack of having the possibility to really develop their talents (that has to be a major reason music sucks now - it takes, what, 10,000 hours to become expert at something - that's almost 5 years with 40 hours a week of work), but also distributors, record store owners, critics, etc. Some may describe these people as parasites. I disagree. But even if I did agree with that sentiment, I would still find them valuable for one reason: they are people who want to be part of the music scene who are, bless them, usually not making tracks.

That't the whole catch of the DIY thing, isn't it? If you are trying to actually build some alternative form of society, than that society needs to be a complete one. Which is to say, there needs to be people to perform all the different functions that makes that society run. If there is no way to participate in this alternate society except as an artist, than everyone who wants to participate becomes an artist; one who completely lacks any meaningful infrastructure of support. I hate to use the word, but this is unsustainable.

And, at least for me, it negatively affects the music. I can't be objective. I am a nobody in my little scene. I buy records once a week and try to check new stuff out sporadically, and yet, still, I feel like everyone is up in my face, you know? So much self-promotion. Bands make no money but they make music videos. And there is no rest from it. I dislike the music because of it. My respite is listening to old records. Which only means that new artists have to try harder to reach me. And so the cycle continues...

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